Drawing room or parlour.
Now a store room.
I write at an old table,
With drawers and planks screwed down on top.
A phone, a mug and a crowbar
Are my companions.
The street is silent for a moment.
Unlike the time the neighbour’s dog
Barked for three nights long, three long nights.
The ink in my pen runs out
And as I return with a new cartridge
Aware of the headache arriving soon
I step on a splinter of wood
From the busted up wardrobe.
My bare foot bared,
The silence is over.
It’s week 19 and I’ve been practicing a new song ‘John Hardy’, one of the key priorities for me on the banjo is to learn the tunes and the words rather than having to depend on tabs and song sheets to remember them as I seem to have to do with the guitar. I have been practicing the first three lines of each verse (CC FC GG GG) and started by just playing the first string as the melody note for each chord. Once I had this cracked, as in I had learnt the order of the chords, I then looked again and practiced the melody strikes for each of those chords ie string 21 11 12 34 for each of those chords above. Looking at the tabs in Patrick Costello’s ‘The Outlaws and Sealawags Songbook’ there’s some funky hammer-ons and single note strikes at the end of each line to add in as well as soon as I am comfortable. That’s the great thing about learning these songs, they can be as simple or as complex as you like for your own stage of learning.
In this week’s video I also talk about making the melody notes sing and the twin trails of learning to play fast and also learning to play accurately as I fumble for the F chord.
At a summer camp celebrating the freedom of child-led education, attendance at the mandatory Monday morning recycling ‘workshop’ was announced by megaphone. ‘Clipped Wings’ is our response to that contradiction, the 3 chord tune provided a soundtrack to loosely rhyming contradictory statements which we threw onto some paper, this is just one version of it.